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...'a lot a little schizo ... round the bevEled edges..'>>>>>>>>>>>>>>>reOrgAnd
J/D 2007, DVD 30min. Director: Hito Steyerl, Editor: Stefan Landorf, Protagonist / Assistant: Asagi Ageha
The director goes on a search for a bondage picture, taken of her 20 years ago in Tokyo.
Hito Steyerl has produced a variety of work as a filmmaker and author in the field of essayist documentary video and post-colonial critique, both as a producer and a theorist. Her principal topics of interest are media and the global circulation of images. In 2004 she participated in Manifesta5, The European Biennial of Contemporary Art. She also participated in documenta 12, Kassel 2007, Shanghai biennial 2008, and Gwangju and Taipeh biennials 2010 and was the subject of numerous solo exhibitions  throughout Europe. In addition, Steyerl holds a PhD in Philosophy, is a professor for media art at the University of Arts Berlin and has taught film and theory at (amongst other institutions) Goldsmiths College and Bard College, Center for Curatorial Studies. -- Wikipedia
When Steven Campbell died last August, at the age of just 54, he was an artist still in the prime of his career. ----------------------------------------------
As one of the 'young Glasgow boys' who breathed fire into the city's art scene in the late 1970s and early 1980s, along with contemporaries such as Adrian Wiszniewski,
Campbell wrestled with the dark and the violent in his paintings: the first attention he drew from those outside his art school circle was with a performance piece, Poised Murder, which centred on the turbulent life of the teenage French murderer Violette Nozière.
She's here, in the art school, in one of Campbell's paintings that formed part of the work: tall and willowy, shrouded in dark browns and watery greys: a ghost, or an avenging angel, perhaps.
Campbell ties her life - obedient teenage daughter, seductress and murderer - to more modern analogues in a series of paintings that, bursting with queasy colour, hook her up with characters Catherine Deneuve played in two iconic films on sexual deviance: Roman Polanski's Repulsion and Luis Buñuel's Belle De Jour.
This series is just the beginning of a dizzying trip through identity and myth in the art school: Campbell's rich, almost florid style allows for no flat panels of colour: blood and skulls and dismembered torsos and bones are hidden in chair legs, in patterned carpets, in the clothes of protagonists who often take after the artist. (Indeed, as with Van Gogh, the chair sometimes seems to stand in for the artist.)
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for time being for your time