better than

is it better to shit than die
better to shit than fuck yourself
your self fucked by dead shit

better than dead shit dead fuck dead fuck shit
what shits better than dead fuck

-----------------

some diggin SonnEt CVIII of W.S the firstest dada....

What's in the brain that ink may character
Which hath not figured to thee my true spirit?
What's new to speak, what new to register,
That may express my love or thy dear merit?Which hath not figured to thee my true spirit?What's new to speak, what new to register,That may express my love or thy dear merit?

Nothing, sweet boy; but yet, like prayers divine,

I must, each day say o'er the very same,

Counting no old thing old, thou mine, I thine,

Even as when first I hallow'd thy fair name.

So that eternal love in love's fresh caseWeighs not the dust and injury of age,Nor gives to necessary wrinkles place,But makes antiquity for aye his page,

Finding the first conceit of love there bred
Where time and outward form would show it dead.

--------------------------------------------

cLoCk WoRKing AnDee WarHAll

Andy Warhol’s 1965 film VINYL was an unauthorized (“pirated”) adaptation. The underground movie’s stars were Gerard Malanga, Edie Sedgwick (in a non-speaking role), Ondine, and Tosh Carillo.

“It’s not clear whether or not Burgess ever knew

---------------------------------------------------------------------------------------------------DiG it the viDeO disAPPeared!!!!!!!!!!!!!!!!!!!-----------

about that,” Burgess’ biographer, Andrew Biswell, remarked in an interview with Mariella Frostrup on the September 16, 2012 episode of the BBC podcast, “Open Book”. “He wrote an obituary for Warhol and never mentions it.”

First film of A Clockwork Orange was made by Andy Warhol:

THE IDEA by Berthold Bartosh (1932) L'Idée

The film was based on a book of woodcuts from Frans Masereel, The idea. "The Idea" featured a score by

composer Arthur Honegger, including an Ondes Martenot, which is believed to be the very first use of an electronic instrument in film history. (Wikipedia) see part 1 and

part 2 heRe

````````````____________________________________________________________________________________>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>.must be pIcaBIa'szzzzzzzzzzzzzzzzzz witty versEsssssssssssssssssssssssss as pictrrrrrrrrrrrrrrrrrre tooooooooooooooooooo walllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllll

Picabia’s poems | disasturbation

Picabia’s poems | disasturbation: "Picabia’s poems"

'via Blog this'

Dodici domande a Caterina Davinio

1) Hai scelto un titolo, Il libro dell'oppio, ricco di suggestioni letterarie, mentre le poesie sembrano appartenere più alla vita vissuta che alla letteratura. Ti piace confondere le acque ?

Certo... a confondere arte e vita si dà sapore a entrambe e si vivono più emozioni nell'una e nell'altra, però si rischia di farsi male... Se non c'è vita sotto la pelle della poesia, la letteratura la rende cosa dotta e grigia. In certa misura le suggestioni letterarie fanno parte anche della vita, quando la letteratura è nella tua formazione, negli studi, nella storia personale. La poesia è linguaggio, e il linguaggio è chiave di lettura della vita; senza linguaggi non potremmo non solo raccontarla, la vita, ma neppure decodificarla, compiutamente viverla. Così linguaggio e vita si compenetrano e completano a vicenda continuamente.

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