there is an alternate way to explain the mechanics of phenomenal motivation. Let’s first look at a very basic mechanism in a Dadaist work, the gears in Man Ray’s Dancer/Danger.

(scottzagar.com Thanks Scott Zagar)
(Animation above is my own, made with OpenOffice Draw andUnfreeze)
In one sense, the gears are conjoined, because they are meshed together. But in another sense, they are disjunctive, because their motions work differentially to one another. The coupling of differential functions produces intense interactions between the parts.
Yet such combinations of heterogeneous pieces can produce lethal war machines.