Auden on No-Platforming Pound

Carl Mydans/The LIFE Picture Collection/Getty Images

Ezra Pound composing pro-fascist commentaries on stationary emblazoned with Mussolini’s motto “Liberty Is a Duty, Not a Right,” Italy, 1940

In 1945, when Bennett Cerf of Random House was preparing to send to the printer An Anthology of Famous English and American Poetry, edited by William Rose Benét and Conrad Aiken for the Modern Library series, he omitted twelve early poems by Ezra Pound that Aiken had included in a 1927 anthology on which the new book had been based. In place of the poems, a note explained that, over Aiken’s protest, the publishers “flatly refused at this time to include a single line of Mr. Ezra Pound. This is a statement that the publishers are not only willing but delighted to print.”
In the years since Pound wrote those poems, 
 
 
he had become notorious for his fascist politics, florid anti-Semitism and racism, and hero-worshipping praise for Hitler and Mussolini. He stayed in Italy during the war, insisting on making radio broadcasts to American troops, urging them to drop their weapons and stop fighting on behalf of Jews and everyone else whom Pound 
 
hated. For these broadcasts, he was arrested after the war and charged with treason against the United States. At the end of 1945, he was awaiting trial in Washington, D.C.

In the eyes of many writers at the time, Cerf’s refusal to reprint Pound’s poems adopted the same logic that the Nazis had used when burning books by Jews and leftists. In January 1946, a few weeks after the

 

 anthology appeared, the critic of the New York Herald Tribune, Lewis Gannett, criticized Cerf’s decision in his widely read column, Cerf rep

 

 

lied, in a letter that Gannett printed: “Pound, by his deliberate and consistent actions over a long period of years, sacrificed any claims, in my opinion, either to the title ‘poet’ or the title of ‘American.’” Cerf continued, “Damn it, Lewis, this war is not over. The same ideology that caused it… is still too prevalent in the world. Every time you parade the work of a man who represents such ideas, especial

 

 

ly while he still lives, you are in a sense glorifying him, and giving tacit approval to his point of view.” Cerf wrote that his partners Donald Klopfer and Robert Haas “firmly agree on this point.”

The controversy spilled into national magazines, and Cerf met with both wide support and wide disagreement. Two months later, under pressure from writers he valued, especially Henry Steele Commager and Max Lerner, Cerf reversed his decision, and agreed to print the poems in future printings of the anthology. But he continued to insist that he h

 

 

ad been right the first time

+++++++++++++++++++++++++++++

 

All of which is very intersting and no problem with that France had Celine and others who were tempted by the right wing facicst who seemed to be anyhow but more apt to say they were

 

fallen into the right wing racist delirium oof the unconscious pole of paranoid reactionaries

 

  as much or less than or equal to those         on the left

 

          like Neruda to name the most famous and who won I believe   Noble peace prize for literartue

 

he was a Stalinist

   supported the Gulag never denounced itor wrote anyhting critical of to my knowledged

nor did many of the thyouysands of supporters of Stalinism


stop themselves getting prizes or being published


________________  SO Ezra Pound had to be declared mad, crazy insane

 that whole war was Insane Dropping an Atomic Bomb was Insane


  killing 25 million in USSr durring the enitre ww2 was in sane


 the sughter of the jews was Insane